Andy Warhol pop-art treatment of Smith v. Falco Pictures · The Rip defamation suit · Ben Affleck and Matt Damon (yellow on pink) on the left · two Miami-Dade detectives with seized-money buckets (pink on blue) on the right
✅ DISMISSED · May 15 Defamation Refile expected

Smith & Santana v. Falco Pictures

DISMISSED WITHOUT PREJUDICE · May 15, 2026 — plaintiffs voluntarily dismissed the federal case after the court flagged a diversity-jurisdiction problem: a limited partner of an entity in Falco Pictures's ownership structure lives in Florida (same state as plaintiffs), which destroys federal diversity. The parties also agreed to drop Artists Equity, LLC entirely — plaintiffs say no entity by that name exists; Falco Pictures is the proper party. Plaintiffs intend to refile in the appropriate jurisdiction (likely Florida state court). Defense had no objection.

Original Case No.1:26-cv-23213-CMA
CourtU.S. District Court · S.D. Fla. (dismissed)
JudgeHon. Cecilia M. Altonaga / Mag. Reid
StatusDISMISSED W/O PREJUDICE · May 15

★ Docket · Primary Sources
Case No. 1:26-cv-23213-CMA · S.D. Fla.
📂 CourtListener Docket → 📄 Complaint (Dkt. 1) → ⚖️ Sua Sponte Order (Dkt. 8) → 📁 Complaint + Exhibits →
Hon. Cecilia M. Altonaga · 39-page verified complaint · filed May 6, 2026 · Exhibits via @kattnotwilliams
Parties
Plaintiffs
Sgt. Jason Smith
Sgt. Jonathan Santana
Miami-Dade Police Sergeants
v.
Defendants
Falco Pictures, LLC
Artists Equity, LLC
Producers of The Rip · Damon + Affleck founded Artists Equity
⚖️ May 7 Sua Sponte Order · Plaintiffs Must Re-Plead by May 12 or Case Dismissed

One day after the complaint hit the docket, Chief Judge Cecilia M. Altonaga issued a sua sponte order (Dkt. 8) flagging that Plaintiffs' diversity-jurisdiction pleading is insufficient. Smith and Santana invoked 28 U.S.C. § 1332(a)(1) but only identified the LLC Defendants by state of formation and principal place of business — for diversity purposes, an LLC's citizenship is determined by the citizenship of every one of its members (Rolling Greens, 11th Cir. 2004). One non-diverse member is enough to destroy federal subject-matter jurisdiction.

Order: Plaintiffs have until May 12, 2026 to file an amended complaint properly alleging citizenship of Falco Pictures LLC + Artists Equity LLC. Failure to do so = dismissal without prejudice, no further notice.

Interesting wrinkle: Artists Equity LLC was co-founded by Damon + Affleck. Their personal citizenship (Affleck = California; Damon = New York/Massachusetts depending on domicile claim) becomes pleadable fact — and any other LLC member opens diversity to attack. Read the 3-page order →

According to the verified complaint, the lawsuit arises from Falco Pictures and Artists Equity's production and distribution of The Rip — a Matt Damon / Ben Affleck heist film presented as "inspired by true events." Damon and Affleck founded Artists Equity and produced the film.

Plaintiffs Sergeants Jason Smith and Jonathan Santana allege the film — despite using fictionalized names — unmistakably identifies them and the Miami-Dade Police Department (now the Miami-Dade Sheriff's Office) by replicating distinctive details from a real investigation: the Miami Lakes / Hialeah location, a large drug-money seizure hidden in orange buckets inside the walls of a stash house, and a specific investigative team unique to MDPD.

The complaint alleges the film does what no real version of that investigation did: it portrays the law-enforcement officers pocketing the seized cash and committing additional criminal acts. Marketing materials reinforced the framing — including the tagline "If you found $20 million, how much would you RIP?"

Since the September 2025 trailer release, Plaintiffs say family members, colleagues, and members of the public have asked which character they were and how many buckets they kept — with some inquiries coming from individuals in official law-enforcement capacities asking whether Plaintiffs had engaged in theft or homicide, including accusations that they had been involved in the murder of a fellow officer.

The pre-suit notice trail. Smith's counsel sent a demand letter on Dec 23, 2025 identifying the defamatory statements and depictions in the trailer and promotional materials and demanding the film not be aired. Defendants disregarded it and published the film. A second demand from both Plaintiffs followed on Mar 5, 2026. Suit filed May 6, 2026.

  • COUNT IDefamation per se — The film's depiction is alleged to be defamatory on its face: imputing criminal conduct (theft of seized funds, violent crimes including murder of a fellow officer) and impacting Plaintiffs in their profession as law-enforcement officers.
  • COUNT IIDefamation by implication — Even where the film uses fictionalized names, the combination of distinctive identifiers (Miami-Dade, Hialeah, orange buckets in walls, the specific investigative team) creates a defamatory implication that Plaintiffs personally engaged in the depicted misconduct.
  • COUNT IIIIntentional Infliction of Emotional Distress (pled in the alternative to Counts I & II) — Conduct alleged to be so outrageous in character and so extreme in degree as to go beyond all bounds of decency, conducted with actual knowledge of wrongfulness and reckless disregard for the truth, in spite of pre-suit notice.

"Inspired by true events" is the contested doctrine here. The case will test how far Hollywood can borrow distinctive details from a real investigation, fictionalize names, and still avoid identifying real people in defamatory ways. Florida is a single-publication state with strong First Amendment defenses for newsworthy material — but defamation-by-implication is a recognized tort, and pre-suit notice + republication after notice goes to the actual-malice element a public-official plaintiff must clear.

Smith and Santana are arguing as public officials (Miami-Dade detectives in a high-profile investigation), which means the New York Times v. Sullivan "actual malice" standard governs. The demand letters and continued distribution are pleaded as actual-malice evidence.